Tour No.02 "Urushi Ware in Toyama"
Technique detail

"Kiji Kougei"
I asked him how we should call his technique. His father was a genuine 'kiji-shi', and only made 'kiji'(wooden basis). Watanabe san was also 'kiji-shi' when he was young, and he is certified as traditional craftsman of making kiji. But now he makes kiji, and also coat them with urushi by himself.
`Well known word doesn't exist, but if I must name my work, it will be 'Kiji Kougei'. ( 'Kougei' means handicraft.
In his work shop, he showed me his incredible 'rokuro' work. He has lots of good wood stocks, which he inherited from his father. He touches turning wood with a gear lightly, turning wood changes its form perceptively.
With using original gages, he makes the precisely same form at incredible speed. He says he has absolute aplomb about speed and preciseness of his rokuro' work. He coats his kiji with natural urushi. He coats all kiji more than several times ! He coats, dry and polishes, and repeats this method several times. His urushi surface has very deep, clear and characteristic urushi colors. His origin is kiji-shi so beyond the urushi coat, grains of zelkova, chestnut or other woods can be seen. To make wood strong he sometimes add fabrics ('nunome') on the hems and bottom and coated with urushi. Nunome also gives interesting accent on the wares. He doesn't agree, but I think he also has good design sense. Especially his 'Katakuchi-bachi'(lipped bowl) has great charm - bold chisel but surface, round rokuro bottom and inside has strong and exotic atmosphere, and must be good sake pitcher.
I think his product can be put more expensive prices same as other popular urushi Artists(not Artisan). But he says he wants to please customers by offering genuine urushi wares at moderate prices, and keep to make more items with his father's stocks.

Artisan profile




His work seat for turning 'rokuro'(turning wheel).



Well used gears for rokuro work.



This wheel is near the ceiling, and his father used to turn all rokuro of the work shops. Watanabe san says that when he was young, always more than several artisans were turning the rokuro.



Most woods were gathered and stocked by his father.
He says old wood is better than new one.



These are the joint parts between rokuro and wood. There are various sizes and shapes for variety of products.



He looks to touch turning wood without difficulty , but wood form transform dramatically.





Carving inside of the bowl.



Putting the wood to rokuro.





To make precisely same form, he uses original gauges.



Original gauges.



Lots of gauges are hung besides the windows.Sometime he gets additional orders, and uses these stored gauges.



He says 'keyaki'(zelkova) is most beautiful wood for his work. He carefully takes out forms to show its beautiful grains.



Red urushi he uses.



Tame Urushi he uses.



When I went into his urushi work room, these urushi brushes were covered with wrap films to avoid small dusts.



Brush hairs are made of human's hair.



Apparatus to wring and filter urushi.



'Urushi Buro' (Urushi Bath)
Keep items to dry urushi. To say precisely, 'dry' is mistake. Urushi becomes solid by chemical change with air.





He always coat about several times. Paint, wait for drying and polish('togu'), and repeat this process again and again.
Color changes darker as above.

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